I have worked with Woven since the first festival and have been part of the steering group supporting idea development and decision making for the coming Woven festival in June 2021.
In the Summer 2020 I launched the Kirklees Pandemic Creativity Project and was overwhelmed by the response from the public who wanted to share their examples of creativity throughout the Pandemic and lockdown. It has been a challenging time for all of us and outlets to connect feel especially important.
In the Woven open meetings to discuss ideas for the festival and progress, one idea that came through strongly was for Woven to celebrate in some way, how textiles have supported our local response to the Pandemic. The meetings are open to all and further details can be found here.
In response to that, Hatch Projects, who create and curate the festival asked me to design a way of responding to this that could be integrated in the forthcoming festival. From this they have commissioned me to undertake a period of research and collecting stories to be part of this project which I will present as an online digital resource as part of the festival programme.
I am also working with a film maker to create a short film showcasing these inspiring responses.
If you want to tell me about your textile creativity or a project that you are aware of please use the form here to tell me about it and I will be in touch soon. If you have any questions at all, you can email me using Nicola@Nicolatwynham.co.uk.
I attended the Fabrication Panel discussion day on Friday 29th September 2017. This was an educational and thought-provoking day and I am so glad I had the opportunity to attend. The day was hosted by Super Slow Way arts organisation. A fantastic organising championing the arts and cultural engagement along the Leeds to Liverpool Canal.
The venue, although difficult to find, was a gem. The Chimney Room, Sandygate Square in Burnley was a converted Mill that was now a stunning multi-purpose venue.
The canal flowed gently past the huge window of the room that we were based in and although I was intently enjoying the discussions I could hardly stop myself from getting lost in the light dappled surface outside.
The morning panel consisted of Acadamics and industry professionals as well as a textile artist so I felt they struck a good balance. While each panel member was discussing their background it became apparent that a unified concern was that graduates now may not have the extensive technical knowledge of textiles that they would have in days gone by and what problems this may present for the Textiles industry.
Amanda Bates from the University of Central Lancashire commented that young journalists and vloggers that are producing work currently sometimes will not differentiate between a printed pattern and a Jacquard for example. The technical understanding of construction is not there. Sarah Lloyd from Panaz (commercial interior textile producers) also mentioned that her young children for example want instant results and knowledge because the internet world has made this a reality. Young people are often not willing to spend years perfecting a technique – instant results are required. This could create a huge loss of knowledge when the current generation of master textile constructors retire. The panel discussed how universities can meet the needs of young people with this expectation and manage budget and equipment cuts with a decent level of education.
After lunch a different panel of experts looked largely at textile artists response to briefs that went towards the first Festival of Making in Blackburn earlier this year. I was lucky enough to also visit this impressive and interactive festival that crossed all genres of making. First we watched a beautifully shot film of highlights from these projects being exhibited over the course of the festival. Events then moved on to artist Jeni McConnell discussing her project working with the tailors Cookson & Clegg (headed by Patrick Grant of The Great British Sewing Bee TV show). After raiding there archives she mapped the company’s journey through various premises in the city as the company adapted and changed throughout the last century which resulted in producing a garment that we were encouraged to wear while we listed to her presentation to help interact and engage with it. I was very inspired and impressed by her work which culminated with groups of sightseers joining her town centre history walks during the festival wearing the garments that were made in conjunction with Cookson & Clegg staff.
Later that afternoon we all got on a coach and went to watch a stunning performance of World Factory at Brierfield Mill. This was an extremely interactive performance that was a brutal reflection on the Chinese clothing producing industry that many of us support through our purchases from high street retailers. I mean, I knew deep down it was bad. As one of the panel members said, ‘you can buy a top with embellishments and button holes and adapted hems for less than a price of a sandwich – how can that be possible’. By the time this performance finished my make do and mend mentality was firmly created!
The atmospheric setting of this production in an old large mill factory added to the message of this piece of fast paced and extremely impressive playwriting. I have worked in theatre and live events for many years and this is by far one of my favourite ever performances.
So, then we finished for the day. I felt inspired but angry at the state of the textiles industry globally and disappointed that the UK (and the North in particular) has such a rich heritage of producing quality and unique textiles and this seems to largely be lost unless action is taken very soon.
I attended a very good friend’s wedding last week. It was in Saltburn-by-the-sea, North Yorkshire.
Saltburn is a small but stunning Victorian seaside town that I really enjoyed spending time in. It is relaxing. Has great pubs and cafés and the lovely Italian gardens and secret vintage tearoom that you can walk to inland via a beautiful, short walk or take the miniature railway for more of a novelty. The landscape is very photogenic and the locals friendly. In the reviews on Trip Advisor I have read that the pier is boring and a bit of a non-entity. I loved discovering that knitting has been added as decoration and turns the pier into an art based tourist attraction (it is pretty without the knitting however!).
Yarn bombing has taken over the Pier and my friend advised me this was an annual tradition with different themes yearly. It was also on the trees at a nearby train station. What a brilliant tradition. This year was an environmental message on how the sea is being affected by pollution.
A quick bit of internet research shows that 2015 saw an Alice in Wonderland theme to celebrate the centenary. 2016’s theme was all things Yorkshire. The Olympics have been covered and the Diamond jubilee. The secret knitters present a great variety and topics of national interest.
The project has had some media attention but in my opinion not nearly enough! I like this article in the Metro from 2013, http://metro.co.uk/2013/05/27/secret-knitters-strike-again-with-creations-that-have-won-renown-for-seaside-town-3810358/.
I for one will be going annually to see what the theme and response is!
I am very happy to announce that on Wednesday 18th April 2018 I trundled down to Café Ollo (The Media Centre, Huddersfield) with my display, my speech and a tummy of butterflies to present my pitch to the Huddersfield Soup event. I have lived in Huddersfield for two years now and the town has completely stolen my heart. Having joined the fantastic member co-operative The Making Space, we are working together to produce Weave: Huddersfield. We want to capture the relationship that the people of Huddersfield have with the local Textile Industry, encourage this relationship and remind the world that Huddersfield is still leading the way in this field and we are proud of this manufacturing industry!
The focus for this project will be the creation of large weaving looms which we will make to work with the public, existing community groups and other organisations to create large public weavings made up of fabric and materials that are donated. We will capture the stories of the people that participate over 2018 and in 2019 we will tell the stories around the town and exhibit the created works. The project will culminate in a festival in May 2019. We are currently building relationships to support this project – the Town’s project and if you have any ideas or would like to be involved then please do let me know.
So, four pitches, four minutes, followed by four questions. It was stiff competition. I was so happy to be the fantastic work and good will in Huddersfield. I was very nervous but loved the interaction with the people at the event. I made several fantastic connections and look forward to working together moving forwards. I am also happy to announce that I won! The micro-grant was made up of the audience’s admission donations and 10% of the bar takings through the evening and now me and my colleagues are making the best use of the £383.62 to get this show on the road as they say!
Search #WeaveHuddersfield on social media to find out more.